“Dove of the Holy Spirit,” is a bright and vibrant painting – colors exploding out of the blackness of the void. I keep it by me, on my desk, where I work.
The next painting is, interestingly, a bird flying in the opposite direction to the first painting. I did a series of two paintings of crows flying through the darkness of the void. Joseph often speaks of dark energy and dark matter and is fascinated by these energies and spaces that we can infer but that we cannot see with our usual senses.
“Carrying is the same as initiation. At sunrise, the sun’s light initiates the day. At sundown, the sunlight initiates the night by ending the light of the day and beginning the dark of night. Similarly, life is carrying all that is; all plants, animals, and things. Life initiates us into linear time. We live from one moment to the next one. We live inside each moment, then it passes on so that we can become something new. A past moment that just died carries and becomes the foundation for the new knowing that was just born.”(Joseph Rael, p. 165, originally from Sound, p. 111).
Here are the next two paintings from Becoming Medicine: Pathways of Initiation into a Living Spirituality, by David R. Kopacz, MD & Joseph Rael (Beautiful Painted Arrow). The first painting is by Joseph, Where God and Humans Meet. This was one of the first paintings that Joseph gifted me when we first started working together. These paintings are found in chapter 4, Becoming a Visionary. Here is what I wrote about the painting in the book:
“Joseph’s artwork comes from his visions. What he sees in his visions he puts in his artwork. I keep a number of Joseph’s paintings around my desk. One of these is “Where God and Humans meet.” This painting is in the shape of a large vase, filled with tiny dots—like stars or molecules of gas. There is a central point, like a sun, which shines two rays downward to the top of two people’s heads and there is a little star where that divine energy enters in through the crown (7th) chakra. Arching upwards from the central sun is a divine being, God or Vast Self. As always in Joseph’s paintings, this divine being is looking upwards and has a large black eye (which is a black hole, Joseph says, and this black hole is about the same size as the light giving central sun). The edge of the vase and the back of this divine being are the same line, the vase grows out of the divine being which creates a container of and for existence. We are the vase that contains the space where God and humans meet, but from a visionary perspective, the material we are made of, the vase, is the material of Wah-Mah-Chi, Breath-Matter-Movement, in other words, God. Visions come from the divine and they reveal to us who we are.Visions are the soul drinking light, Joseph says,” (78).
The next painting is one of mine. When I was living in New Zealand I began reading Henry Corbin and was fascinated by his description of the ‘alam al-mithal, the place where “Spirits are corporealized and bodies are spiritualized,” (Corbin, Spiritual Body, Celestial Earth, 177). I would sit and meditate, looking out at the volcano, Rangitoto, and would try to find what this place of ‘alam al-mithal would be like. I painted 10 different paintings, but I’m not sure I could capture my vision.
“Visions are at the center of this book, just as the heart is at the center of the medicine wheel and our hearts are the center of our being. A vision is a little bit like a poem, or maybe a dream. It can be of brief, passing interest, or it can be an orienting structure for the rest of your life,” (78).