The first piece is “In the Currents of Time,” from 2005. We see a medicine wheel of the seasons moving sun-wise (clockwise) and two fish, one swimming upstream and one swimming downstream. Although time flows forward in ordinary reality, Joseph says that time can flow backward in non-ordinary reality. Everything is circular – if you don’t get something right the first time, you will circle back around to it and some point. Similarly, the past of the country and the past of the land continues to exert an influence.
The next piece is “Breath Matter Movement and Space Time,” from 2014. Breath Matter Movement is how Joseph translates the word for God in the Tiwa language, Wah-Mah-Chi.
We only have four more art works to feature and we will bring this Art of Becoming Medicine series to a close.
Joseph and I have been working on our next book together. He wants it to be for 10-12 year olds and it will include Joseph’s life & lessons from when he was growing up and what he thinks kids today should learn. I think kids of all ages (meaning adults, too) would find this interesting because we are always learning and growing. We started out with a working title of Journey of the Holy Beings, then moved to A Bowl Full of Ideas for Inventive Minds (we might still keep that for a younger kids book), currently the working title is Becoming Who You Are: Beautiful Painted Arrow’s Life & Lessons.
We are starting to look for publishers – young adult books are a whole different category from our past work. Let us know if you have ideas for publishers! Maybe we will get the book out within 2021!
These two pieces of art work by Joseph Rael (Beautiful Painted Arrow) come from Becoming Medicine: Pathways of Initiation into a Living Spirituality, chapter 15, “Refounding.” The concept of refounding comes from Gerald Arbuckle’s work on how individuals periodically help guide institutions back to their founding values while updating the institution to the current situation.
“By refounding I mean the process of returning to the founding experience of an organization or group in order to rediscover and re-own the vision and driving energy of the pioneers. . . . To refound formation is to re-enter the sacred time of the founding of religious life itself. . . . This model of symbolic death and rebirth, which is made up of three stages – separation, transition/liminality and reaggregation – also has a powerful scriptural foundation,” (Gerald Arbuckle, From Chaos to Mission: Refounding Religious Life Formation, 3–5).
These two art pieces are from the section of the chapter entitled “Refounding Mothers of Democracy.” As I was reading background material for this chapter, I kept coming across the phrase, “founding fathers,” and I wondered why there was not more emphasis on founding and refounding Mothers of Democracy and so focused on several women artists and writers whose work has been to refound principles of democracy – musician Anoushka Shankar, writer Rebecca Solnit, and, then of course, the original founder of spiritual democracy, Mother Earth.
Anoushka Shankar wrote about her album, Land of Gold:
“Everyone is, in some way or another, searching for their own “Land of Gold”: a journey to a place of security, connectedness and tranquillity, which they can call home. This journey also represents the interior quest that we all take to find a sense of inner peace, truth and acceptance – a universal desire that unites humanity…Land of Gold is the culmination of my journey to the interior, channelling my distress at the situation in a constructive way, exploring the stories of the voiceless and dispossessed. I believe that art can make a difference – it connects us to our hearts, bringing us back to what really matters. Music has the power to speak to the soul,” (AnoushkaShankar.com).
Rebecca Solnit stands out to me in any of my thinking about the United States, as I felt reading her work, particularly A Field Guide to Becoming Lost, helped me reimagine the best of the United States and to re-become an American after living abroad in New Zealand. In Hope in the Dark, she wrote,
“To hope is to gamble. It’s to bet on the future, on your desires, on the possibility that an open heart and uncertainty are better than gloom and safety…We all have to place a bet, but we have no reassurance of how it will turn out. Solnit writes that the “future is dark, with a darkness as much of the womb as of the grave,” (Solnit, Hope in the Dark, 4, 6).
Solnit also writes about activism – not as something you do once to put things right, but more as a kind of recurrent ceremony that you do to try to correct the coarse of history that is always going off track. I have been thinking a lot about medical activism being a foundational aspect of medical professionalism and Solnit’s writing on activism has been a great influence on me.
“I use the term activist to mean a particular kind of engagement—and a specific politic: one that seeks to democratize the world, to share power, to protect difference and complexity, human and otherwise,” (Solnit, Hope in the Dark, 18).
“The question, then, is not so much how to create a world as how to keep alive that moment of creation, how to realize that Coyote world in which creation never ends and people participate in the power of being creators, a world whose hopefulness lies in its unfinishedness, its openness to improvisation and participation,” (Solnit, Hope in the Dark, 108).
Joseph’s first art work in this series is “Holy Woman” from 1995
His next piece is “Mother Earth Dreaming All the Two Leggeds into Beauty,” from 2006.
Here is what Joseph wrote about our current time and Mother Earth:
“I believe that it is now time for the elders all over the world to talk to their people and instruct them. As elders we have more responsibility . . . a responsibility to talk about the sacredness of the Earth, and the sacredness of the people on the Earth. One of our journeys is to help the people as they walk on Mother Earth. Mother Earth is our land and she belongs to us because we are her children. She belongs to us and we belong to her. So we can take care of her the way she has been taking care of us,” (Joseph Rael, Sound, 256).