A Review of A Place Inside, Poems by Judith Adams

Whidbey Island poet, Judith Adams’ new book of poems, A Place Inside, covers the full range of human emotions & experiences, bearing witness to the tragedies and celebrating the joys of life.

Poems such as “Visit to the Doctor” and “Letter to my CPA” bear witness to the dehumanizing mania of turning human beings into numbers. The poems are rooted in the earth, not only in harvesting potatoes in “Pommes de Terre,” but walks through the ferns and forest with grandchildren, rescuing a hummingbird that got into the house, and a poem “For Mary Oliver.” Death and life come into full circle relationship in poems such as “Two Reasons for Weeping,” when attending a Covid-era “circular drive-by” funeral, the poet gets a call from her daughter about new life, “Mom, I’m having a girl.” The poems look backward and forward, remembering the pain of leaving a mother behind in the UK, burying her under quince tree, and the birth of granddaughter, Brigid.

What could be more natural and human than giving birth and dying, gardening, mourning, rejoicing, kayaking―the land, the body, roots and bones, growth and hibernation? “All the things I have loved, as I love the human face,” ends the poem, “Roots.” The poet imagines a God who wants you to have “a wild night on the town” and not to try to get into Heaven with “love letters/you never sent,” (“Love Letters Only”). The poet reminds us that we need the trickster as much as the saint to keep us human and sane in a world that tries to classify the complex interweaving of suffering & joy into the question, “What is my pain level out of ten?” To the young doctor/computer technician, asking questions to quantify and reduce complexity to certainty, “Her fast fingers wait to classify my/existence on a screen,” while “oblivious/to the bend I have just rounded,” the poet suggests questions instead that open and deepen into life:

            “Ask me instead who I am,
            what my mornings are like,
            if I am working towards a future,
            who in my life has just died?
            If you don’t have time, and you are
            backing out of the room with your computer,
            at least ask me if I drink alone.”

Judith Adams knows what healing and comforting the soul is, in contrast to the often cold, heartlessness of contemporary medicine. She created The Poetic Apothecary project, offering “poems for healing and comfort,” throughout Washington State via the Humanities Washington program. A video of this talk can be found on Judith Adams’ website.

The center of the book, and the title as well, is “A Place Inside,” a poem, brief and wonderful, which embodies a love of life, bringing inside/outside, human/divine, and body/spirit together.

            “You have a place inside you
            no one can touch.
            It’s where your tools are kept.
            In this divine workshop
            you chisel at a raw day
            in deep devotion to yourself,
            and there you allow some unruliness,
            your share of sore complaint.
            And there you follow
            your own footsteps
            through the dark”

            (A Place Inside)

A Place Inside is a wonderful book that reminds it what it is to be human, to be alive, to be grounded in the Earth, and to breathe starlight.

Watch for an interview I did with Judith Adams to be up on The-POV soon!

Judith Adams

Announcing The-POV: Interviews & Conversations by Usha Akella & David Kopacz

I met Usha Akella when she was doing a keynote presentation at the Power of Words conference in 2019, put on by the Transformative Language Arts Network. We both were interested in writing, poetry, creativity, and the spiritual path. Usha has long had a dream of developing an interview site online and I have been doing various interviews for my work – so it seemed like a good fit and less than a year later The-POV was born and launched into the world!

Usha’s first new interview is with Ann Ciccolella, Artistic Director of Austin Shakespeare since 2007. One of the things Usha has been impressed with is the depth and breadth of cultural programming Ann has curated.

Usha Akella: I am delighted to finally have an opportunity to explore your creative visions, Ann. I’ve attended your plays for years in awe at your ability to cast any play in a contemporary light. Your cross-cultural productions and multi-ethnic casts contribute to dialogue and peace-making. Your productions are playful, pushing the edge yet never lacking conviction or losing a grip on the playwright’s script. You’ve managed to bring Bollywood and Texas boots, and a female Hamlet to your stage. So, let’s begin by exploring the audacity of Ann Ciccolella. Why are you compelled to rewrite/reimagine or re-vision and can we chat about some of your productions that you felt were successful and those that were not—in your opinion.

Ann Cicolella: My own playwriting is a top value for me. Writing my own adaptations is something that I have been doing in the past couple of years. I want to do more playwriting, but finding the time needed to create scripts from their inception is something that I haven’t been able to do since leading Austin Shakespeare!  So, I have been adapting classic stories. I used the plot of Homer’s epic poem The Odyssey and wrote a one-hour play version for middle and high school audiences. That experience was alternately challenging and delightful. During the rehearsal process, I try to inspire actors to create an imaginative performance, and with six actors we together created the many worlds of Homer’s The Odyssey. You see, adapting is a way to satisfy that thirst for my own playwriting.

My first interview for The-POV is with my friend and mentor, Joseph Rael (Beautiful Painted Arrow). Joseph is of the Southern Ute tribe through his mother and of Picuris Pueblo through his father. Joseph is the author of a number of books and he and I have written two books together, Walking the Medicine Wheel: Healing Trauma & PTSD (2016) and Becoming Medicine: Pathways of Initiation into a Living Spirituality (2020).

David R. Kopacz: We’re going to have a section of Becoming Medicine reprinted in Parabola magazine – Jeff Zaleski wants the sections, “Initiation of the Circle” and “Moon Woman Vision.” You have statements in those sections that we are “circle people” and “what comes around goes around” and that “everything eventually becomes its opposite.” You also say, “Look at how we move in a circle, but then look at it from the side and it looks like we are moving forward and backward, back and forth. It depends on your perspective of seeing.”

Joseph Rael – Beautiful Painted Arrow (BPA): That’s apropos for this time. That’s how it is – we move back and forth and back and forth. We move forward and then we spoil it by invalidating it. In order to get in tune with it, we need to use our feet. That’s why we have these physical feet and they are made for traveling. When we go forward we add something. But then we go backward and we forget it. In this life, you have to be constantly correcting yourself. 


That’s what my dances are supposed to do. They check everything on the list. When you are dancing you move forward and backwards in balance. You dance to cover the winter; you dance to cover the spring; you dance to cover the summer; and you dance to cover the autumn. You also dance to cover the North, South, East, West – the directions. 


I’m just being a book from the universe and showing you what to do.

You can read the full interviews at The-POV.