The next two art works from Becoming Medicine: Pathways of Initiation into a Living Spirituality are both by Joseph Rael (Beautiful Painted Arrow). The first painting is “The Blowing Breath of Dark Energy.” I have a small photo of this piece in my office, near where I work. Joseph is fascinated by scientific discoveries around dark matter and dark energy. Joseph says that “darkness is where all the good ideas are.” I’m not sure how old this painting is – it is from a number of 35 mm slides of Joseph’s artwork that we had transferred to digital.

The next art work is “The Underside of a Far Larger Ship.” Joseph often speaks about space, ETs, and the stars as our relatives and home. He says that according to traditional teachings, we came from the stars and one day we will return there. This is an image of a vision of ship he saw flying above the Earth.

These art works are from Chapter 7: Story Medicine and it opens with a vision Joseph had of a new creation story:

Joseph Rael’s New Creation Story

Joseph called me with a dream/vision he had one morning:

“Grandmother was making strong black coffee one morning and brought a cup to Grandfather. She also brought the coffee upstairs to the children and gave it to them so that they would get out of bed. She wasn’t supposed to do this, so she didn’t tell Grandfather this. [Joseph relates that this happened to him when he was a young boy, that he was given coffee secretly in the morning to wake him up so he would get dressed for school].

“When Grandfather drank the coffee he had an epiphany, an inspiration. He had a white sheet of paper in front of him and he hit it and it made the sound, one—weh-mu! He hit it again and it made the sound, two—wehseh! Then again, three—paah-chu! He continued to hit the paper ten times, counting out the numbers of inspiration one through ten: four—wii, five—paah-nu, six—maa-tschlay, seven—cho-oh, eight—wheh-leh, nine—whiii, ten—tehn-ku-teh. He hit the paper with a multi-colored colored pencil that he had and with each hit he created a circle of colored light that emanated out
from the Big Bang of the central point.

We talked about this vision for a while and I wondered why God needed the cup of coffee for inspiration (I do live in Seattle). I wondered if the black liquid coffee could represent the blackness of the Void that existed before creation. I like this idea that God drank in liquid blackness and out of this inspiration came a vision, which Joseph describes as the soul drinking light—and out of inspiration comes rainbow circles of light creating Creation out of sound, light, color, breath, and vibration.

In Joseph’s vision, we also have the interaction of the feminine and the masculine in creation, the feminine providing the inspiration through the liquid black of coffee, but also showing the introduction of duality and
the use of coffee for both the inspiration to create the Universe, but also abusing the coffee to force the children awake. In the exegesis of the vision, Joseph mentioned that the Grandmother was an older generation than the Grandfather, not necessarily the partner of the Grandfather, but maybe the Grandmother of the Grandfather—thus we have the interesting idea that perhaps the Grandfather was one of the children that the Grandmother was trying to get up, dressed and off to school, and what slipped out was that the child/Grandfather smacked the paper 10 times and created the Universe before running off to school.

Joseph explained that prior to the Grandfather having the epiphany, he was living in darkness, in the Vast Self. He was an artist who had learned to see in the dark, making his sketches. He hadn’t yet moved into the Circle
of Light. “Darkness is where all the good ideas are,” says Joseph, this is where the source of inspiration is. With the first hit of the paper, simultaneously a sound and light are created. This is the point of light at the center of the medicine wheel. It is the light of epiphany, the light of movement, there is now a central organizing point. With each hit of the paper, a new colored circle of light of the medicine wheel is created.

In talking about this dream/vision, Joseph says, “Of course we are God, we are the artist.” Each of us is creation, but we also keep creation going through our lives and as we cycle through the medicine wheel we create energy—the friction in our lives creates sparks and gives off light. The medicine wheel gives a structure, organization and context to all life events. It shows how life moves in circles: each year we move from winter to spring to summer to fall and back to winter again; each life comes from the earth and returns to the earth; each inspiration and epiphany begins in the North (winter/spiritual) and then moves to the East (spring/mental), then to the South (summer/emotional), and then to the West (fall/physical). The medicine wheel explains how spiritual inspiration becomes mental idea, becomes emotional feeling, and then becomes a physical thing in material reality. The medicine wheel shows that there is no artificial boundary between the spiritual and physical, rather there is a bridge, or a rolling wheel that moves the energy along, manifesting in different dimensions at different times.

(Joseph Rael, Becoming Medicine, 167-169).